In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

A successful businesswoman thinks she has found her daughter, whom she lost when she was six months old...

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The series features a host of Canadian Francophone comics. The result? Eight side-splitting comedy specials that showcase the richness and diversity of French-language humour from sea to sea!

经历哀悼，意味着舍弃自身的一部分。杰瑞米·雷尼耶将其首部长片聚焦于“重建”这一主题——展开一场极富启示性、内省且具哲学意味的旅程，讲述两个被生活狠狠打击的男人，于北极寂静而纯净的景致里，寻得一丝近乎救赎的慰藉。他挚友加斯帕·尤利尔离世的阴影，虽未明说却无处不在地笼罩着这场探索。杰瑞米·雷尼耶在影片中抛出一个问题：身处不幸时，人怎样重新获得坚韧？又怎样让美从悲剧里诞生？这是一首满含无限温柔的诗。

During Cote d'Ivoire post-election crisis of 2010-2011 which killed nearly 3,000 people some Internet users acted as aid workers. While hospitals, pharmacies, markets, banks and other businesses were closed and fighting raged, thanks to these volunteers, pregnant women gave birth, sick people got their drugs, children had to eat ... The main actors of this solidarity movement go back on these moments of joy, stress, sadness, ... through personal experiences.

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